Tag Archives: Media

Military move to deter news media

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By MEAGHAN MCCLURE

According to the recorded telephone calls obtained by the Associated Press, Ferguson, Mo. police officials admitted the no-fly zone was put in effect to dissuade the news media from covering the Mike Brown protests.

Originally, police claimed the order was for the safety of the city. Now, word has come out that it was actually intended to prevent news helicopters from covering the protests that have been shadowing Ferguson.

The protests have been a hot topic in the news media for a while. It has been four months since the shooting of Michael Brown and news is still coming out about the issue in the news media.

Constantly, the news media have been scrutinized for the way they have handled the situation, but this new discovery could take some heat off the media.

If the law enforcement had issued the no-fly zone to purely restrict media coverage, it is an undeniable violation of the rights we are guaranteed under the First Amendment.

So far, government officials haven’t responded to these allegations, but the clear violation of basic constitutional rights, denied by the people who are trying to protect us, is clearly very troubling.

Media battle through cartoons

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By MEAGHAN MCCLURE

On Sept. 23, India successfully launched its first Mars mission. Shortly after, The New York Times ran a political cartoon mocking the country that can be construed as racist.

The caricature depicts an Indian man, leading a cow, into a building marked “Elite Space Club,” which is full of white men in suits.

The Times soon experienced relentless backlash, to which they took to Facebook to publicly apologize.

The best part of this story is how the Indian media handled this offense.

They did not come back with a retort right away, no. They waited for the perfect opportunity to passive aggressively mock the U.S. back, which conveniently came in the form of a failed space mission.

On Oct. 28, an unmanned rocket – resulting in no injuries or deaths – exploded during liftoff. This proved perfect ammunition for the Indian media comeback.

Following the accident, the Hindustan Times ran a cartoon depicting an Indian couple observing the explosion, exclaiming, “It’s not rocket science for us!” The explosion took place in the “Elite Space Club.”

This little correspondence between two country’s newspapers is entertaining, and something most readers would never pick up on. I commend the Hindustan Times for approaching the situation in more of a light-hearted manner than most media outlets would take. They accepted the offense and acknowledged it in humor, all while creating an interesting story to look at from a media perspective.

You can take a look at both of the cartoons here: http://www.buzzfeed.com/hayesbrown/an-indian-newspaper-just-had-the-perfect-comeback-to-a-racis.

What will you earn as a journalist?

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By KATHERINE FERNANDES

Since the decline of newspapers, less people watching TV and the rapid growth of digital media, journalism salaries have been falling. Today, new graduate journalists are notorious for low salaries.

If you really want to be a journalist, you must be passionate about the career and must be willing to start from scratch with “not the best expected salary.”

Federal data show that news reporters are falling further behind workers in other occupations. The mean annual salary for reporters in the U.S is below the national average for all jobs.

As it turns out, a decade ago journalist earned more money than they do now. Reporters, on average, earn $2,080 less than the national average.

Certainly, journalism is a field where the competition is immense. The competition is increasing now even more because positions in this field are less. We probably have heard about the economic issues hitting the news business nowadays. Many newspapers with financial trouble have been forced to stop hiring new journalists and even lay off journalists that already have a job in the newspaper.

Not to mention, beginning broadcast journalists earn almost the same money as a beginning reporter in a newspaper. Although the competition for jobs in broadcasting is high, if you become an important anchor in a big media market, you’re going to have a high salary.

There are undoubtedly other careers such as medicine, business, architecture and law that pay much higher than journalism. However, journalism is a wonderful profession where you are always learning new things, meeting new people, traveling, exploring new things and doing interesting things. Despite the old journalism jobs being destroyed and many people fighting for these job positions, journalism is a great career to pursue when you really love what you do.

Yes, there are scarce career opportunities in this job field, yet if you want to be in journalism, you have to be willing to work harder and harder to be better than the other journalists fighting for the job you want.

Networks ignore midterm elections?

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By GABRIELLA CANAL

Early Saturday morning at a local school, I bubbled in my choices, signed my name and slipped my voting ballot into the scanner. Early voting in Florida had begun and, with elections less than a week away and much talk about Republicans yielding political gains, I truly have not seen much news media coverage on a midterm election of such political importance.

This year’s midterm elections, as opposed to 2006’s highly covered one, has not had much presence in any of the three big networks: ABC, NBC and CBS. Around 23 million viewers tune into these networks as their source of information, trumping almost all other networks. America’s media watchdog, Media Research Center, found that the “Big Three” aired a combined 159 campaign stories during the 2006 election and have only aired a meager 25 this year.

“Amazingly, since Sept. 1 ABC’s newly-renamed World News Tonight has yet to feature a single mention of this year’s campaign, let alone a full story. In contrast, eight years ago ABC’sWorld News aired 36 stories that discussed that year’s midterm campaign, including a weekly Thursday night feature that then-anchor Charlie Gibson promised would look at the ‘critical races,’” said Drennen and Noyes — two journalists covering this strange media blackout.

Instead, news of troubles overseas and social crises have taken the limelight. Albeit, these issues of Ebola outbreaks, ISIL’s movements, and Ferguson’s latest outcries are all pressing and of major concern to the American audience, the midterm election deserves its fair share of coverage.

Additionally, Drennen and Noyes found that “eight years ago, there was no escaping the negative news for Republicans. Not only were polls projecting a major swing to the Democrats, but a scandal involving Florida Representative Mark Foley received major attention from all three network evening newscasts. Of the 159 network evening news stories that fall, nearly two-thirds (103, or 65 percent) conveyed either mainly bad news about Republican candidates, or mainly good news about the Democrats, vs. just seven (4 percent) conveying the opposite message.”

This issue started out looking like another case of poor media prioritizing but is actually beginning to show all of the symptoms of media bias. Let’s look at the obvious: the networks are giving little air time to the bad political news for the Democrats this midterm election. In 2006, when the Democratic party had the upper hand, that was all that the news tickers read. One would think networks of such prestige and power would uphold even the most simple of journalistic standards. Rather, one would expect that.

But who is truly at the source of this issue: The networks, the advertisers that support the networks or the six corporate conglomerates that own the majority of mass media outlets in the U.S. (Disney, Comcast, Time Warner, etc.)? Most importantly, will this trend continue in the coming years after the results are in?

To read more about this media black out, follow the link: http://www.mrc.org/media-reality-check/tv-news-blacks-out-years-bad-election-news-democrats.

Protests, riots, and the news media

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By AUTUMN ROBERTSON

On Saturday, Oct. 18, 2014 the annual Pumpkin Fest was held at Keene State College in Keene, N.H., a celebration where the community tries to set a world record for having the most carved and jack-o-lantern-ed pumpkins.

This seemingly sweet event changed abruptly as some of the Pumpkin Fest goers lost control and began to riot throughout the entire event, destroying property and setting many objects on fire.

The news media started to compare the riot to the Ferguson protests and that became a concern to many who have been actively following the action in Ferguson.

The Pumpkin Fest riot and the Ferguson protests are not one of the same. There has yet to be a consensus of how the festival riots even began, let alone a leading cause to the belligerence. Therefore, the media should not have compared the two events.

Once the news media heard about Ferguson, they made out the angry protesters as “rowdy animals” without listing the cause as to why they were protesting in the first place, while the Pumpkin Fest protesters were often referred to as “mischievous college students” who drank too much. The news media seemed to down play these student’s destruction while making the Ferguson protests appear wild and without cause.

Is this because the news media only reports what they can view rather than getting the full story? An outside viewpoint would have appeared the same since law enforcement used force, rubber bullets and tear gas on both the protesters and the rioters. So to someone who did not know much about either event, they would have “looked” the same. But does that mean that they should be reported as the same?

Overall, the news media must start looking deeper into the story. If not, they will continue to compare apples to oranges.

Equal coverage needed for all missing

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By AUDREY WINKELSAS

Hannah Graham’s disappearance has opened old wounds. Cassandra Morton disappeared in 2009 but her name didn’t make national headlines the same way Graham’s has.

Just six days after Morton went missing, Morgan Harrington disappeared. Harrington received more news coverage than Morton.

Morton’s stepfather says it’s because Harrington’s family was able to offer a reward for their daughter and because Morton didn’t fit the media’s preferred image.

According to The Washington Post columnist Eugene Robinson:

“A damsel must be white. This requirement is nonnegotiable. It helps if her frame is of dimensions that breathless cable television reporters can credibly describe as ‘petite,’ and it also helps if she’s the kind of woman who wouldn’t really mind being called ‘petite,’ a woman with a good deal of princess in her personality. She must be attractive — also nonnegotiable. Her economic status should be middle class or higher…”

Morton came from Tinbridge Hill, a historically black neighborhood. She experimented with drugs and moved around a lot.

Harrington’s parents made television appearances and a website was made to find their daughter. Morton did not receive such attention. Without speaking with both Morton’s and Harrington’s parents, I cannot know the degree to which each family sought coverage and the degree to which the media approached each family to be able to pinpoint the cause of the difference in coverage between the two girls’ disappearances.

In any case, this should serve as a reminder for journalists that content should be dictated by neither aesthetics nor money. We need to strive for fair, unbiased coverage that represents the diversity of our population.

Media, feds play risky name game

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By GABRIELLA CANAL

Last week, I think I saw the headline “Ebola crisis” on every station I flipped through, every billboard I whizzed by, every social media newsfeed I scrolled down. The word “crisis” is a red-flag word. It promotes fear, anxiety and ensues widespread panic. It is a word that should not be taken lightly, nor thrown around at ease.

Last week, each time that I tuned into the morning newsroom edition of CNN with Carol Costello, Costello would address the issue as a crisis and the news ticker would dizzily roll by flashing the words: “Ebola crisis.”

Yesterday morning, I routinely turned on CNN to find Costello sassily trying to put things into perspective for the audience. “Let’s put the so-called Ebola crisis in perspective,” Costello said, “there are nearly 319 million people in the U.S. and two people, two, have contracted Ebola. Two.” Two, she emphasized.

“You would think that our lawmakers would point that out so that there is no panic.” She then went on to criticize Tulsi Gabbard, Democratic politician, for petitioning to extend the incubation period for twice the time that the CDC has required.

The whole scenario is an oxymoron. All this finger pointing really should have been redirected at the media. For an entire week, news anchors like CNN’s Costello were labeling this incident as a “crisis,” creating a fiasco out of the situation. All of a sudden, the politicians are completely at fault for blowing up the situation and instilling fear in American homes?

In an industry so reliant on the written and spoken word, word choice is, well, important. It is word choice that can make or break a story, a reporter, and a nation. Certain trigger words should be used with caution and labeling situations should be done so with much thought.

On the other hand, another one of the United States’ greatest and most current events, has yet to be labeled.

After around three months of an onslaught of threats, a handful of decapitations, and the bombing of the Islamic State, the crisis in Syria has yet to be labeled. The effort to contain the Ebola outbreak in West Africa has been named Operation United Assistance. And yet, one of the most pressing issues on US homeland security is a fill-in-the-blank.

Pentagon Press Secretary Rear Adm. John Kirby said there is “an effort under way to consider … a potential name for this operation.”

This name-game that the United States government and media are playing is a dangerous one, as it is ultimately these names (or thereof, lack of names) that will go down in the history books.

Twitter criticizes news covering two riots

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By MEAGHAN McCLURE

The riots occurring in Ferguson, Mo., protesting the death of the unarmed, black teen Mike Brown, have been in the news media since early August. The ongoing social movement focuses on an issue mainly of race and civil rights.

Over the weekend, Pumpkinfest in Keene, N.H., sparked riots that stemmed from drunk college partiers.

After media coverage was released of the Keene riots, and because of some similarities between the two situations, people took to Twitter to criticize the media’s handling of both events.

Tweets such as, “The kids at #keenestate threw beer cans at cops and got arrested. Mike Brown threw his hands up and caught SIX shots” highlight the distaste for the inequality of both situations. Many of the Twitter users believe that Keene State’s riots were just as bad, but Ferguson attracted more negative media.

In an article from CNN, experts say that the two situations cannot be compared, because what happened in Keene was a riot and the events in Ferguson are part of an ongoing political movement.

The article does state, however, that Twitter was right in criticizing the media for racial discrepancies.

While Ferguson “riots” are aftermath of a unarmed teen killed by police, Keene was a riot of drunken students purely looking for a good time, which escalated into the riots. Despite the drastic differences in intentions of both situations, the media managed to use more loaded words and negative connotations when reporting on Ferguson than on Keene.

While participants in the Ferguson protests were labeled by news media as “thugs,” Keene rioters were only described as “rowdy.” Also, according to the media, Ferguson is made up of “animals destroying their community,” where Keene is just “mischief cause by booze filled revelers.”

These inconsistencies in news coverage of two similar, but drastically different, events are inexcusable. Because of the way these events are portrayed in the news, white behavior is normalized and made okay, while black behavior is condemned and allows for the prolonging of racism.

Even though Ferguson had significantly more important motives for riots, it was seen as violent and unacceptable in the media, while the events in Keene were excused as drunk kids trying to have a good time. The media’s coverage of issues like these perpetuate racism and the ongoing cycle, which is unacceptable in a society so heavily influenced by the media.

Biased reporting in age of objectivity

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By KATHERINE FERNANDES

Media have an enormous power in modifying our cultural and political thoughts. Although the news media have the obligation to be accurate and fair, biased reporting occurs.

Bias reporting refers to the bias within the mass media in the way that events and stories are told.

Media can have a hostile effect on viewers, readers and listeners. We are not as smart as we think we are and we can be unconsciously convinced to view things in a certain way portrayed by the media.

Government influence, recruited staff, intended audience and the ownership of the news source are some of the factors that can lead to bias.

The things we need to consider when we read news are the source’s race, age and gender, stereotypes and the point of view in which a news story is reported.

For instance, if an article has many government sources and few sources from the community, it might be biased toward a political view.

We also need to consider the diversity of people included in the article. This includes race, sexual orientation, gender and age.

Stereotypes is another thing to consider. An article might be focusing on black people as possible suspects of a crime because “most crimes include black people.” Is the writer defending white people just because he has adopted bad thoughts of this specific type of individuals? What if the offenders were of white color?

As journalists, maybe we are not biased toward a certain point of view. Nevertheless, our story can be biased if we ignore some details and include others. For example, if someone is covering a story about a protest and ignores information about the people that are against the protest. Of course, this gives the readers a different opinion about the event.

When writing we should consider different type of sources to have a story that is influenced by the attitudes and background of different kind of people, not only by a certain group with particular thoughts and beliefs.

Drag queens more visible in today’s culture

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By XUANCHEN FAN

A drag queen is a man who dresses like a woman. The purpose of dragging is a self-expression, performance and entertainment. Years ago, people regarded this as a sort of perverted behavior. However, nowadays, drag queens have become a non-mainstream culture.

There are many drag artists in different fields and they vary greatly in dedication, from professionals in movies to people who just try it once. Drag queens also vary by class and culture and even vary within the same country.

While drag is very much associated with gay men and gay culture, many artists are famous for being a drag queen. RuPaul Andre Charles is the one of the most representative drag queen artists.

RuPaul is noted among drag queens for his indifference toward the gender-specific pronouns used, like he said: “You can call me he. You can call me she. You can call me Regis and Kathie Lee; I don’t care! Just as long as you call me.”

RuPaul also joined in an American reality competition television series –– RuPaul’s Drag Race. He plays the roles of host, mentor and source of inspiration for this series.

All contestants for the show must be 21 years of age or older. They may have any sexual orientation, although most contestants to date have been gay men.

David Bowie is the most representative drag queen musician. He is known for his distinctive voice as well as the intellectual depth and eclecticism of his work. In his music video, he always dress like a woman to present a different inner part of himself.

Even in China’s famed Peking opera, there is a Dan character similar to a drag queen. Peking opera is a form of traditional Chinese theater which combines music, vocal performance and dance. The form was extremely popular in the Qing Dynasty and is regarded as one of the culture treasure of China. The Dan refers to any female role in Peking opera and all Dan roles were played by men.

Inside the CNN studio tour

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By DOMENICA A. LEONE

One place certainly every aspiring journalist should visit is Atlanta. The capital of, and the most populous city, in Georgia is home to massive media operations and newsrooms power houses recognized worldwide.

It was in this city were the legendary Ted Turner would begin the Turner Broadcasting System and  establish the headquarters of the infamous “Cable News Network”; better recognized today by the simple acronym of CNN .

These days, the CNN Center is adjacent to the Centennial Olympic Park in downtown Atlanta and is open to anyone who is down for a taste of what real world journalists undergo on a day-to-day basis. It allows visitors to get a feel for what goes on behind the scenes during news gathering and broadcasting as well as an insight into the various CNN networks. Notably, the center is responsible for instructing the ordinary citizen on how dignifying the world of news coverage and reporting can be.

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CNN center: home to the world’s largest freestanding escalator

Along the approximately 55-minute guided walking tour; one is able to peek into the newsroom, control room, studios and headquarters main hallways.

The tour begins on a long ride up the world’s largest freestanding escalator as recognized by Guinness World Records. The 196-feet long and eight stories high escalator used to take visitors up to “The World of Sid and Marty Krofft,” an indoor amusement park, but is now CNN’s main newsroom.

You’ll find a replica of a CNN newsroom studio set when landing on the base after that long flight up. While you are waiting for the tour to begin, you’ll be able to videotape or photograph yourself broadcasting breaking news stories as an anchor.

As the tour begins, you’ll access a control room replica of the headquarters’ cable-TV news service, which is actually located on the same spot three stories below. Guests are instructed on the main concepts and activities that take place under this technical hub, allowing them to experience the behind-the-scenes elements of a news broadcast.

10441958_10152751416883134_8403776665373654303_nNext, you’ll visit one of the many CNN spin-off cable news channel studios, HLN’s (“Headline News”) Studio 7E.

This special-effects studio demonstrates visitors the technology that goes into the production of news. For example, the use of a teleprompter, on-air graphics with the aid of a green screen and high-tech touch screen are explained.

Although the tour will involve traveling down many levels of stairs, the following station is totally worthy to get to. A glass-wall on the building’s main hallway will allow you to catch a panoramic view of the main CNN studio, Studio 7. Actually, this is the largest studio CNN has ever built anywhere in the world and, if you are lucky enough you might even catch someone working on air.

10665667_10152751416843134_638452646018851032_nAfter touring the on-camera presence sites you’ll be redirected to the equivalent of a “chem-lab” for a journalist; the newsroom.

Here you are able to take a bird’s-eye view of both the main CNN and HNL newsroom as people downstairs are on working-mode. This is actually were the magic happens, because it is here were writers compose the news scripts after long processes of gathering and verifying information. In other words they are the responsible for the accuracy and relevance of the facts that households will eventually receive.

Exiting through another of the building hallways you will soon find yourself in front of other of the CNN en Espanol and HNL’s studios were, again if lucky, you might be able to catch an anchor and support crew on duty.

Soon after, you are dismissed, but not after being thanked for your visit. Of course, then you are redirected to the souvenir store where you are able to find amazing merchandise all encrypted on one way or another with the iconic reddish acronym.

Although such tour might sound as fun, it is really just the simplest of the bunch the place has to offer.  If you prefer a more extensive (and therefore expensive) VIP tour, you would actually get the chance to step out onto the main CNN newsroom floor and explore production areas that are not normally accessible to the public.

There’s also the possibility for you to go behind the scenes of HLN’s popular morning show, “Morning Express with Robin Meade” on another of the packages.

10609530_10152751415863134_9059171804339138202_nNo matter your choice, visiting this news landmark will definitely add to your knowledge and experience.

If you are not news savvy, you’ll learn the basics and, if an aspiring journalist, it will complement your understandings and light a beacon of persistence and perseverance to get a job on the spot (because it sure did in me!).

Getting to go inside Atlanta’s CNN headquarters is certainly an once-in-a-lifetime opportunity. Not to mention a game changer.

The news media: Are we hypocrites?

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By MEAGHAN McCLURE

An article published by The American Spectator on Sept. 23 raises an interesting point: Journalists are just as at fault in domestic violence cases as the NFL players they have been recently criticizing.

During the month of September, the news media have had a frenzy with all of the domestic violence and child abuse cases surrounding the NFL. With the release of the second Ray Rice surveillance tape, Adrian Peterson’s child abuse scandal, combined with notable cases against Greg Hardy, Jonathan Dwyer, and Ray McDonald, media during the month of September have put the NFL on blast for all of these domestic violence issues.

The article by The American Spectator, however, asks the question: Are the media skewing these problems out of proportion, just because the NFL is a high-profile, very exposed institution?

It is possible that the NFL does not have more domestic violence cases in ratio than the rest of the country. Actually, in studies, it is found that the NFL actually has lower crime rates than the rest of the general population of the same age group. The difference is the media puts more of a spotlight on professional athletes’ faults, rather than the average Joe. Not saying this makes the NFL violence cases okay, but it is fair to point out that it may be overemphasized by the media.

While the media have been constantly criticizing the league and painting it as “a veritable athletic Evil Empire of domestic abuse,” according to the article, The American Spectator points the finger back at those same journalists, who are not in positions to be putting the blame on others.

Five NFL cases, as mentioned before, have put the pressure on the NFL to better itself from the violence-ridden entity it appears to be now. As the article points out, however, ten cases can be found within the media recently. This is twice as many as the NFL.

These cases range from ESPN to ABC, CBS, NBC, and The New York Times. The difference between these cases and those of the NFL? Domestic violence cases by the media aren’t lumped together for the public to over-scrutinize and cast a shadow over all of the media.

I’m not saying at all that the NFL shouldn’t be concerned about its role with domestic violence. It should be. Domestic violence is never okay, and with so many fans looking to the NFL, it should make a good example of these cases, taking measures to punish the offenders.

However, maybe the media should do the same and take a second look to try to better itself, before pointing fingers at others.

You can read The American Spectator article mentioned here: http://spectator.org/articles/60468/when-journalists-commit-domestic-violence.

Earning money from a six-second video

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By KATHERINE FERNANDES

Vine is a video-sharing website, owned by Twitter, where you can share videos that are up to six seconds long. You may ask yourself how such short videos can attract people to use this app? Well, the answer is that the limit of time on its clips is appealing to people.

People that make videos on Vine are called “viners.” Believe it or not, viners can tell a whole story in six seconds and these viral videos can result in big earnings. This app lets people “revine” videos, which is like retweet on Twitter, and like videos as well.

With Vine, you can become an Internet celebrity or make your product famous. Viners are mostly teenagers and some of them are earning big amounts of money as a result of their posts on this website.

For a teenager that has funny videos and lots of followers on Vine, $1,000 isn’t hard to come by.

With 9.5 million followers, 16-year old Nash Grier has earned one of the top places of famous people in this website. Incredibly, he is ahead of famous people such as Snoop Dogg and even Justin Bieber on Vine. Besides the money he is paid for his vines, this Vine star can receive $25,000 to $100,000 for advertising a major brand product in a six-second video and sharing it with his Vine followers.

Locally, we have many college and high-school viners that are becoming famous with this website and also that are benefiting economically from their vines.

Marcus Johns, a 21-year-old junior at Florida State University, is making lots of money by doing vines. He has considered dropping out of school because he makes so much money on Vine.

Marcus’s brother, Cody Johns was an aspiring actor and by doing vines, he got his college tuition paid.

Here in Miami, we have Lele Pons, which is another celebrity on Vine. She is known in Miami and throughout the world as a crazy, hyperactive and also one of the most popular viners. She is the first person on Vine to reach over a billion loops.

Advertisers are also on Vine. Companies such as Urban Outfitters, Trident and Dunkin’ Donuts have promoted their products by making mini ads in a six-second vine. Additionally, other companies have used Vine to promote events, such as Burberry promoted its shows in the New York fashion week. If you have a lot of followers, and you revine posts to share a sponsored brand, you’ll probably earn money from an advertiser.

There may even be news potential in the site, particularly for broadcasters and Web sites looking for clips to turn into feature stories or video from breaking news events.

Since Vine was released in January 2013, many people have made good living from Vine alone.

So, if you have good vines, receive many revines and likes and become famous on Vine, you won’t even need to worry about getting a job. Just “Do it for the Vine!”

https://www.youtube.com/watch?v=v3WyDQAo45c

 

 

 

War without the difficult photos

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By GABRIELLA CANAL

Come the mid-19th century in America, among all of the social changes, political shifts, and uproars, the first footage of war was recorded. It was the Civil War and the photographs taken began to break down the glorification of all war had been played out to be.

Nowadays, the photo on the front cover of a newspaper can make or break the story during wartime. The American public is a sensitive one and, in turn, the American media is very strict in what it publishes and what it does not.

So, in a war zone where there are almost no limitations to what one can capture, I ask: When is an image considered too gory, insensitive and, to an extent, a breach of privacy? Does holding back this kind of photography blind the American public from the tragedies of war? And is it hard to calculate the photographer’s absence during war?

On Feb. 28, 1991, American photojournalist Kenneth Jarecke stood in front of a horrid sight: a charred man who had been engulfed in flames, trying to escape his vehicle. He snapped the shot. The man was an Iraqi soldier and had fought for Saddam Hussein’s army during the Gulf War when Kuwait was annexed. Time Magazine and The Associated Press dismissed the hypnotizing image, saving Americans from confronting the excruciating brutality of war and ultimately, spitting up their morning coffee.

For Jarecke, who had taken the photo in the midst of endless ceasefire, who had put his life on the line, who had captured the ugly to captivate those sitting pretty, he was left confused. In an interview with The Atlantic, he said: “When you have an image that disproves the myth (of a clean, uncomplicated war), then you think it’s going to be widely published.”

These photos that Jarecke and countless others in countless other wars have taken not only serve the media to inform and to shock, but serve history as a sort of reminder and lesson. And what good is a lesson when you can’t learn from it?

At the same time, however, does the photojournalist go too far sometimes? In this world where tragedies occur in the blink of a second and photographs can be captured in the blink of a millisecond, Jarecke and his contemporaries must grapple with the moral dilemma of: “do I take the picture?” Because to the photojournalist, the moment of hesitation is not due so much to the fact that they’ll worry how the media or audience will react, but instead, due to the fact that they’ll worry how those they are capturing will react. The photojournalist has much at stake here: his reputation, his humanity, his decency, his values, his sanity.

Later, in American Photo magazine, Jarecke wrote: “I wasn’t thinking at all about what was there; if I had thought about how horrific the guy looked I wouldn’t have been able to make the picture.”

To take the photographer out of the battle would surely tell a different story about it. And I can only hope that, one day, the power of photos will stump the power of war.

If your curiosity was piqued, here is the photo that inspired this blog:

http://www.theatlantic.com/features/archive/2014/08/the-war-photo-no-one-would-publish/375762/

Twitter gives stars platform to fight back

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By MEAGHAN McCLURE

For the past few years, Twitter has been a main source of news for young people. They find out about breaking stories and everything relevant in current events. In a way, Twitter could be viewed as a young person’s newspaper.

However, with the rise of Twitter, celebrities have been given an easy platform to get their thoughts and opinions across, no matter how offending, or if it makes a major brand look bad. Twitter cuts out the middleman, and lets celebrities interact with fans directly.

This new direct contact between celebrities and fans can be problematic, however. In the recent case of Cee Lo Green, one stupid comment can ruin a celebrity’s whole image and, in the recent cases of Shonda Rhimes and Rihanna, uncensored criticisms can ruin the image of a major company.

Earlier this month, Cee Lo Green tweeted controversial statements about rape, one of which claimed rape isn’t “real” unless the victim remembers it. This moment of ignorance on the famous singer’s part cost him a huge loss in fan base, even after deleting the tweets and making a public apology.

In the case of Green, we can see how easily it is for public figures to reach their fans and how quickly a public image can change.

This also happened in the case of Shonda Rhimes and Rihanna. Although they didn’t ruin their own images, they used Twitter as a platform to fight back against attacks from big corporations and voice their own opinions.

Shonda Rhimes is the creator of many shows, like “Scandal” and “Grey’s Anatomy.” Recently, she was described as an “angry black woman” in a New York Times feature, after which, she took to Twitter to give her own thoughts. After voicing her displeasure, other figures such as Kerry Washington criticized the Times writer too. The Twitter backlash proves that the growing popularity of Twitter certainly changes the way the media can criticize celebrities – because they will not get away with it anymore without a fight.

A similar case happened recently with singer Rihanna, after CBS pulled her song from “Thursday Night Football” following the Ray Rice domestic violence incident. Initially, CBS pulled the song the week immediately following the release of the second Rice video, because they felt Rihanna, a famous victim of domestic abuse from Chris Brown, would give the wrong message.

Rihanna reacted through Twitter, writing, “CBS you pulled my song last week, now you wanna slide it back in this Thursday? NO, Fuck you! Y’all are sad for penalizing me for this.” CBS then had to deal with the disapproval of many Rihanna fans, which ultimately led them to pull her song for good.

These recent events involving celebrities shows just how impacting social media can be, especially as Twitter gives stars a chance to bite back at the media.

After arrest, Kevin Olsen departs UM

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By MICHELLE BERTRAN

The University of Miami’s third string quarterback Kevin Olsen started off the season rocky by being suspended from the season opener game because of a failed drug test. He is now suspended from the team and is no longer a student at the university as a result to a DUI and a stolen or fake license arrest that occurred early Monday morning. To make matters worse, this is his second DUI charge. Olsen’s first came when he was in high school.

Monday morning he was caught with six licenses. One belonged to teammate Ronald Regula, another was a fake license from Maryland, and the others were from four different states. Olsen refused to take a urine test and failed a breathalyzer test by registering a .04. He was released on a $6,000 bond that same day.

Al Golden released a statement Monday night on Olsen’s departure.

“Right now, this is about Kevin and his family and we need to respect that,’’ Golden said. “He needs this time to look at himself and move forward, and I have no doubt that with the support of his family, his brothers, his mom and dad, and obviously those of us that know him really well, there’s no question that he’s going to have the right ending.… He’s going to win in the end.’’

Olsen had an opportunity at being Miami’s starting quarterback when Ryan Williams tore his ACL this past spring. Olsen’s scholarship can now be given to someone that will make the most out of the opportunity of not only playing for “The U,” but also being a student here.

Are phones killing photojournalism?

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By LINDSAY THOMPSON

I dare you to find someone who does not have a camera on their phone. With how popular smart phones are, it’s next to impossible. Even my 90-year-old grandpa’s flip phone has a camera on it (not that he knows how to use it).

Since camera phones are so popular, there is usually always someone around who can take a photo of an even right as it happens.

There are a lot more everyday people with camera phones than there are photojournalists. The exact moment when an event occurs, it is much more likely that someone with a camera phone will be there versus a photojournalist waiting to get the shot.

I do not think an amateur with an iPhone will be able to completely replace a professional photojournalist. The quality and composition of a professionally shot photo will never go out of style; People will always want to see that, but it’s not always an option.

If we look back on 9/11 and the coverage of the event, you can find tons of beautifully shot, powerful images expression the horror everyone felt that day, or showcasing the bravery of some American heroes.

However, there are shaky, blurry videos and images shot by people just walking along the street that we are shown over and over again, because these images captured the exact moment that the first plane hit the North Tower.

No one knew this was going to happen, so no professional photojournalists were on assignment or expecting to cover the first tower, like they were for events later than day and week.

Back in 2001, camera phones were not even available. Most of the videos and images of the first tower were shot with digital cameras. If this event occurred 2014 instead of 2001, there would be a lot more coverage because everyone has a camera phone they can just whip out.

Not only are the availability of camera phones decreasing the need for photojournalists, but social media is making it extremely simple to share these images with the world. You no longer need to work for TIME Magazine for everyone to see your photos, you can just share it on Instagram or Twitter or Facebook.

Still, photojournalists will always be needed. There are some places your Average Joe with an iPhone will not be able or willing to go to. There are very few people brave enough to do what James Foley did, for example. However, camera phones are cutting down this need for photojournalists, since they are proving to be better at documenting breaking, unexpected news.

Journalism and social media’s influence

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By AUTUMN ROBERTSON

This September has been a great news month for many journalists. The Islamic State in Iraq and Syria (ISIS) has captured more towns and oil fields in Syria and President Barack Obama has made an executive decision to soon deploy troops into the area to fight ISIS. The Ebola outbreak in West Africa continues to spread and the president made executive decision after the ISIS news to deploy troops to the area to “fight” the disease.

However, I heard more about certain news stories than others and I can’t help to think that the result was from social media. I saw more articles and think pieces on both NFL stars Ray Rice, who was accused of domestic violence, and Adrian Peterson, who is facing child abuse charges, than any of the executive decisions that President Barack Obama made and many other political policy news.

Is it because they monitor what people are talking about on social media and chase the more dramatic, sensationalist stories in order to sell papers and get page clicks?

The “trending meter” on Twitter and Facebook are important tools for a journalist. They can see what people are talking about from a regional, national and worldwide standpoint. I sat and monitored what people were talking about on twitter these past two weeks, and I saw more tweets about the athletes than tweets about politics.

Why is it that generally we are more concerned about scandals than issues that can directly affect our nation? Because we are more concerned about these shocking events, stories about national government issues are being flooded out by the journalists who write about those shocking events. I am not saying that the Rice and Peterson stories lack importance; personally, I am glad that the stories were reported because each lead to powerful discussions about domestic violence and abuse. However, more and more people know every detail about those stories, but lack proper knowledge on ISIS and the affect they have on our country. Is social media more of a clutch for journalists than a useful tool?

Social media play an important impact on journalism and what news the media feel is more important to cover. However, should journalists be so influenced by the people that use social media that they choose to write stories based on what’s trending?

Native advertising: Killing the free press?

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By DYLAN WEEMS

With the gradual shift of news from the traditional hard-copy paper format to online journalism, advertisers have found it much more difficult to reach readers.

According to a study done by the Rich Media Gallery, banner advertisements on websites are clicked on purposefully only 0.17% of the time. Now, in an effort to increase the viewing of advertisements, companies have turned to a strategy known as native advertising. It is a strategy that essentially takes an ad and disguises it as a news story.

Native advertising has many journalists worried that the news industry as we know it will die. Independent journalism could nearly vanish if other companies are able to interject their advertisements into real news stories. The popular website BuzzFeed is notorious for this. One hundred percent of its revenue comes from “branding content.” This means that there are articles such as “9 Ways Cleaning Has Become Smarter”… sponsored by Swiffer.

Arguments have been made that “as long as the reader knows the difference between a news article and native advertising, there shouldn’t be a problem.” However, less than half of readers actually can discern the difference because the entire point of the ad is to disguise itself as a news story.

BuzzFeed is not the only website guilty of utilizing native advertising. Even The New York Times ran a “story” on women’s prisons that was really a promotion for season two of the popular TV show “Orange is the New Black.”

Finally, there is some fault to the reader here. The best way to get rid of native advertising is to start paying for online news, but it seems that no one is willing to do that because the Internet is just too convenient.

Obviously, no one really what the full extent of native advertising will be just yet. Only time will tell. Hopefully, the days of a free and independent press in America are not over.

Killed black men portrayed negatively

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By AUTUMN ROBERTSON

“He’s no saint!”

“He was always a trouble maker.”

These phrases were thrown around constantly as the stories of slain 17-year–old Trayvon Martin and 18-year-old Michael Brown developed.

When the news got out about their murders, the families did what was told: They both handed in pictures of their sons and told the media a brief message about how they did not deserve to die.

But as the story developed, the news media took their own spin on each story. They dug into their background and tried to find any sort of dirt that made the two dead men look unclean.

Martin, killed by neighborhood watch participant George Zimmerman, was suspended from school, and Brown, killed by Ferguson police officer Darrin Wilson, had handwritten raps showing that he was a “criminal and a thug.”

The media used different pictures as well. Martin’s sweet, smiling face was replaced with him in a black hoodie, straight faced as he stared into the camera. Brown’s cap and gown picture was replaced with him in more casual, “urban” clothing, looming over a stoop and holding up a peace sign, which many thought was a gang related.

This sudden change caused the popular opinion to change. These teenagers were now “thugs” that were “up to no good” before they were murdered. Is the goal to make black victims look more like villains?  Should their murders and image not be taken as seriously as others simply because of the color of their skin?

However, it seems that the media does the opposite to non-black murders.

James Holmes, the man who took 12 peoples’ lives in Aurora, Col., in 2012, was shown in the media as a man who not only shot up a movie theater, but a man with multiple degrees in neuroscience. The media even started to use his graduation picture instead of his mug shot.

Dzhokhar Tsarnaev, suspect of the Boston bombing terrorist attacks in 2013, was made out to be a great student with a good family. Rolling Stone even made his picture the cover of their issue, with him titled as “The Bomber.” The media showed him as an exception from other American terrorists.

These examples are night and day, but clearly show media’s objective. It seems as if no one wants to hear positive aspects about an unfairly murdered black man’s past.